![lil nas x gay nobody cares lil nas x gay nobody cares](https://imagesvc.meredithcorp.io/v3/mm/image?url=https:%2F%2Fstatic.onecms.io%2Fwp-content%2Fuploads%2Fsites%2F20%2F2019%2F07%2Fmiley-cyrus-1-1.jpg)
![lil nas x gay nobody cares lil nas x gay nobody cares](https://s.abcnews.com/images/GMA/lil-nas-x-01-gty-jc-210630_1625063832527_hpMain_16x9_992.jpg)
This was prior to the 2003 case Lawrence vs. But don’t let me kid you, in 2002 the issue of LGBTQ+ rights and acceptance in society was forefront in our culture. However, the experience was nothing like generations prior, who experienced the horrifying reality of living their everyday lives and fighting with their blood, sweat and tears for the rights we have today. I came out when I was 13, something that was very difficult, even in 2002. Let me illustrate this for you with a personal story. I am a cisgender white gay man and I know this tale all too personally. We have only recently seen real intersectional representative members of the LBGTQ+ community in media and entertainment, and that has not been without a fight from creatives to tell their stories. There is more than just the media’s image of the cisgender, primarily white, gay man or lesbian woman – and it has taken far too long for us all to appreciate that. Now I am going to say the quiet part out loud. The LGBTQ+ community has fought for years to show we are not a monolith, but rather we are individuals, with a great deal more depth than the media representations of LGBTQ+ archetypes generated by a majority of heteronormative creatives. The battle for representation, in media and entertainment, among the LGBTQ+ community is a story fraught with discrimination, exclusion and the fight against heteronormative control of the LGBTQ+ image in society. Jack Harlow Perform "Industry Baby" & "Montero" | 2021 VMAs | Courtesy of MTV